From Riley on Film: “(Podcast) Terminator: Dark Fate, 2019 – ★★★★½”

Listen at –> The DRP Film Podcast

I came to the Terminator party late. In fact it was only after I saw this particular film that I decided the whole franchise was worth a look. Isn’t that what good sequels should do? For me, the graphics were the most amazing thing. It can’t be denied they spared no expense and went way out and beyond what even the groundbreaking T2 did with the mercury like effect.

Here, they use all the modern toys to make this feel like you are actually there, among the robots and even yourself threatened by them. Because the graphics are so perfect, it’s been said before better than I can say it here. I’d rather talk about this film on the merits of its characters which, although less that perfect, make this film so very good and so very accessible to someone who isn’t necessarily a huge Terminator fan. Let me take you through my impressions of how 2 key characters made this film work well for me.

First: Sarah Connor’s character. She is back and with a vengeance, I was so excited seeing her on the screen. Of course her casting was perfect. Some might argue she is past her prime and therefore they could have gotten a more glamorous woman to play the role. I say bullshit, the only one to play her role is her. I must admit though at times I thought the script was good but too much for her as an actor. I think she is better as a “Rambo” type that we hear few lines from. Then again, this is the type of film that relies more on graphics and action for its entertainment.

It was probably not noticed by many that her acting is bad and that’s good. I know she played in “Beauty and the Beast” alongside Ron Perelman as Beast early on in her career. We know she can act so maybe it was more the fault of the writing. Casting and appearance. Nonetheless, seeing her re-emerge onto the screen as modern day Sarah was beyond exciting despite any fumbles in acting.

The new villain Terminator was outstanding. He had big shoes to fill but he pulled it off masterfully. I think asking him Hispanic with the highly Mexican story-line was also a very wise choice. His script was successfully peppered with “Bro/Hermano” type dialect trying to get ingratiated into the border patrol’s good graces. It worked every time. He was scary, sexy, and believable too.

Of course Arnold and Mackenzie bring loads of talent to the screen in this one. Arnold’s new Terminator, “Carl,” has tons to say that falls into the quotable comedy relief section. Both are to be commended but I think the prior two I mentioned bring the most to the film that make it great. Because the acting and script was sometimes hit and miss, I gave it a 9/10. I definitely recommend it.

Published first at the DRP film podcast: bit.ly/2OeQM2f

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From Riley on Film: “(Podcast) Across the Hall, 2009 – ★★★★★”

Listen here –> thedrpodcast.com/across-the-hall-2009

I am so glad I discovered “Across the Hall” on my watchlist to watch today. As a reviewer of films I usually have many on my list but I don’t always know which to watch first. I went with this because it was accessible on tubi for free w/ads, it said it was horror, which it is not, and last but not least, it stars the sexy bombshell Brittany Murphy. It was better than I expected. I love it when a movie uses simplicity to its advantage and offers an experience that belies its ease. But chronological storytelling isn’t the approach here, the director unfurls the plot through bouncing to and fro in time.

In perfect step with the simplicity, this film was derived from a short the director Alex Merkin made 3 years prior. It’s noticeable right away that he has given much thought to the costumery and sets. It takes place in a lavish old hotel in New York City. It’s a bit lackluster though, like it was posh at one time but now it’s receded into an hourly house of covert acts. They are trying to improve it though. We see the bellman who runs the place taking reservations and walking customers to their rooms for seemingly surreptitious reasons. Macro views and clues through depth of field focus help serve a simple sense that the director knows exactly what he is doing. It’s a well-told story, trust you can relax and enjoy the telling. Part of this story is told through dialog.

The script is simple and to the point. I would imagine it’s not as many pages as most thrillers, There isn’t much to read between the lines, though some gems are there if you catch them. It is after all not a horror but a thriller/mystery. We aren’t given much other than the setting at first and it’s through conversations on cell phones that we are given the initial clues as to what’s going on. With many thriller focusing on long “hip” dialog, “Pulp Fiction” comes to mind, these lines are refreshingly sparse and, as I have already said, thickly effective. But chronological storytelling isn’t the approach here, the director unfurls the plot through bouncing to and fro in time.

The timeline in “Across the Hall” is simple yet it was likely not simple to create. Each time we get a new space in time there is a little clue. There are about 3 really big ones. All of them are necessary to understanding the plot and worth waiting for. Be careful with prejudices against the “bad guy,” you may be surprised in the end or then again, maybe not. I have seen a lot of movies fuck up this “in and out of time” approach, this ones uses it masterfully.

There’s a season of “American Horror Story” that takes place in a hotel, think of those colors. This is a highly visual film where much thought was given to every aspect not the least of which the casting: Brittany Murphy looks very very good. But above all, I appreciate the way this film uses simplicity to its advantage making it a perfect mystery/thriller.

Published first at the DRP film podcast: bit.ly/2PQkX1O

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From Riley on Film: “The Signal, 2007 – ★★½”

Mya is the character that weaves throughout 4 stories. I really can’t recommend this one. My most vivid recollection is the way the blood looks like cooked rib meat on the actors’ cheeks and arms. It’s all practical effects which wins points with me. I was reminded of “The Teacher” another indy horror that came out 2-3 years back. There’s hammering nails and pulling extremities of the hammered nails just like this film.

Think carefully and hard though, if I am writing about my recollections that way, does it say much for the other stuff like the story? The acting? Yeah, I waited a while to see this one. Do you ever keep pushing a film further down your watchlist because others are more alluring? Well, I finally got to this one and it really did nothing for me. 

A signal goes out making people into killers. This isn’t a new concept. It’s very akin to the “can’t miss for studios” zombie genre. Unfortunately, this film’s signal peters out quickly and doesn’t measure up to the films it rides on the coattails of. I say miss it.

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From Riley on Film: “(Podcast) Hard Candy, A Dark Song and 4 More – Film Roundup 10-31-2019”

Listen here –> thedrpodcast.com/hard-candy-a-dark-song-and-4-more-film-roundup-10-31-2019/

Hard Candy, A Dark Song, 100 Feet, Inherit the Wind, and Thanks for Sharing. Join me as I talk about these 6 amazing films. You are welcome to leave comments.

Hard Candy

1. Hard Candy (2005)

R | 104 min | Drama, Thriller 7.1  10 58 Metascore

A teenage girl raids a man’s home in order to expose him under suspicion that he is a pedophile.

Director: David Slade | Stars: Patrick WilsonEllen PageSandra OhOdessa Rae

Votes: 148,428 | Gross: $1.01MWatch Now
From $3.99 on Prime Video

100 Feet

2. 100 Feet (2008)

R | 96 min | Horror, Mystery, Thriller 5.5  7

After Marnie Watson kills her abusive husband in self-defense, she is condemned to house arrest… only to discover that the house is possessed by the enraged and violent spirit of her dead husband.

Director: Eric Red | Stars: Famke JanssenBobby CannavaleEd WestwickMichael Paré

Votes: 11,620On Disc
at Amazon

Inherit the Wind

3. Inherit the Wind (1960)

Passed | 128 min | Biography, Drama, History 8.1  10 75 Metascore

Based on a real-life case in 1925, two great lawyers argue the case for and against a science teacher accused of the crime of teaching evolution.

Director: Stanley Kramer | Stars: Spencer TracyFredric MarchGene KellyDick York

Votes: 25,191Watch Now
From $2.99 on Prime Video

Thanks for Sharing

4. Thanks for Sharing (2012)

R | 112 min | Comedy, Drama, Romance 6.4  7 54 Metascore

A romantic comedy that brings together three disparate characters who are learning to face a challenging and often confusing world as they struggle together against a common demon: sex addiction.

Director: Stuart Blumberg | Stars: Mark RuffaloTim RobbinsGwyneth PaltrowJosh Gad

Votes: 25,115 | Gross: $1.06MWatch Now
From $3.99 on Prime Video

Columbo

5. Columbo (1971–2003)

TV-PG | 100 min | Crime, Drama, Mystery 8.2  10

Los Angeles homicide detective Lieutenant Columbo uses his humble ways and ingenuous demeanor to winkle out even the most well-concealed of crimes.

Stars: Peter FalkMike LallyJohn FinneganBruce Kirby

Votes: 24,445Watch for Free
on IMDb TV + 1 more

A Dark Song

6. A Dark Song (2016)

Unrated | 100 min | Drama, Fantasy, Horror 6.1  8 71 Metascore

A determined young woman and a damaged occultist risk their lives and souls to perform a dangerous ritual that will grant them what they want.

Director: Liam Gavin | Stars: Steve OramCatherine WalkerSusan LoughnaneMark Huberman

Votes: 11,980Watch Now
From $2.99 on Prime Video

Published first at the DRP film podcast: bit.ly/2JyZN4q

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From Riley on Film: “Thanks for Sharing, 2012 – ★★★½”

Addiction/12 Step movies are prevalent but some shine for their specialness. This is a special film. Ruffalo leads the cast through a series of vignettes that provide a deeper level for discussion. No movie can plumb the depths fully but this one leads us to the precipice of sexual addiction.

What fascinated me the most was the relationship between Ruffalo’s and Gwynneth Paltrow’s character. I kept asking myself if a relationship could withstand the past exploits of a sex addict when introduced.

Don’t come here looking for comic relief, it’s devastatingly morose. Still, the small victories and deft acting dialogs make it a compelling, entertaining watch. Enlightening? I’ll say this much, it starts a discussion. There could have been some more realistic writing throughout but here and there it really succeeds with a difficult subject.

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From Riley on Film: “100 Feet, 2008 – ★★★½”

This is high excitement horror. A woman is on house arrest for killing her abusive thug husband. It seems he occupies the house too as a ghost.

This is a good movie but don’t call it low budget. It was made with 10 million bucks. It has the charm of low budget though. The practical effects must have left money to hire the bigger names in it. Definitely worth the watch. Lots of logical errors but this is horror, who’s counting?

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From Riley on Film: “(Podcast) Alien & Intruders: Rewatchable Horror 1”

Listen here –> thedrpodcast.com/alien-intruders-rewatchable-horror-1/

When it comes to rewatchable, these two are at the top of the list. Hear me talk about why I started my series on Rewatchable Horror movies with these two. Note that “Intruders” was first called “Shut In.”

Published first at the DRP film podcast: bit.ly/2BFeUF9

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From Riley on Film: “Hard Candy, 2005 – ★★★★★”

Finally, another perfect horror experience! This film has high popularity for a reason. Ellen Page plays a teen that stalks an uncaught pedophile and killer to teach him a lesson. Robert Patrick is unforgettably brave as an actor here.

This film left me thinking about all sorts of things. In short, I thought “WTF did I just see?” Please see this now! It is a hidden gem I had missed until now. 10/10

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