Under the Shadow (2016)

This film is streaming now on Netflix (USA). While this is a horror film, it shows interesting and important history of the 8 year war between Iraq and Iran. I found it amazing to watch what these two middle eastern countries did to each other, each in the name of its god. There is a strong and scary film here. It’s not horror in every scene but there are enough jump scares to keep fans happy.

Under the Shadow (2016)
PG-13 | 1h 24min | Horror, War | 7 October 2016 (USA)
As a mother and daughter struggle to cope with the terrors of the post-revolution, war-torn Tehran of the 1980s, a mysterious evil begins to haunt their home.
Director: Babak Anvari
Writer: Babak Anvari
Stars: Narges Rashidi, Avin Manshadi, Bobby Naderi
NETFLIX: Available in United States of America
From $3.99 (SD) on Amazon Video

This is the story of a mother and her daughter in time of war. Both suffer extreme stress levels as the father/husband has to leave them alone to go and be a doctor in the war for a time. While home alone in a war zone, the mother and daughter experience a strange haunting that neither can explain.

I saw a comparison to The Babadook early on. It’s a psychological drama that has horror elements. There are times we do not know if the scary elements are real or just stress induced psychosis from the mother. The daughter has these visions too though so it seems something is happening. It’s hard I think to explain away a lot of what happens. It is in my opinion indeed a legend, a ghost story. How much the viewer wants to believe depends on her/him.

This film does have subtitles so if that puts you off, stay away. As for me I found them easy to follow and greatly enjoyed this foreign horror film. The casting and acting is top-notch. This is a must for horror fans as well as psychological drama ones.

My review Under the Shadow (2016) appeared first on Riley on Film.

Animal House (1978)

National Lampoon’s made several side-splittingly funny films in the 70’s and 80’s. The Vacation movies come to mind right away. They had an air of burlesque and debauchery that made mothers shield their young son’s eyes. Still, those same mothers got drunk and laughed at the same bits when they had a babysitter.

Animal House

Animal House

“At a 1962 college, Dean Vernon Wormer is determined to expel the entire Delta Tau Chi Fraternity, but those trouble-makers have other plans for him.” -IMDB


John Belushi John Blutarsky
Karen Allen Katy
Tom Hulce (as Thomas Hulce) Larry Kroger
Stephen Furst Kent Dorfman

Directed by

John Landis

Written by

Harold Ramis, Douglas Kenney

Other Info

Fri 28 Jul 1978 UTC
IMDB Rating: 7.6

Animal House is a legendary comedy with short jokes over and over inside a mediocre story. Then again, the story is good enough and certainly all you need to laugh your ass off watching this film. Director John Landis is a household word as a director. He did American Werewolf in London, one of my Great 100 Films, and Twilight Zone the Movie which is a hidden gem that must be seen. He also directed the amazing comedies: Trading Places and Three Amigos. All these films are masterpieces. Landis did a great job with this film once again bringing out the “worst” in his actors and in doing so producing their best together.

There is a cast of thousands here and among the top actors is the late John Belushi. He is an absolute buffoon but in an ingenious way. Every bit he does has the audience laughing and wanting more. Other now-big names Kevin Bacon and Karen Allen and there are many many other amazing comedic actors.

The premise is watching a shoestring frat house that parties constantly try and keep their charter. The escapades they engage in are hilarious. In the end you’ll have to watch to see whether they make it or are banished from the University.

There’s some nudity here which I never mind and just the right amount of raunchy comedy. The characters are very likable and you really want to see these underdogs make it. They certainly don’t study which I of course don’t recommend because you’ll never graduate. Still, I watch this film vicariously experiencing a “what if.” What if I was in Animal House? It’s not such a bad fantasy! To me, this is an example of a perfect comedy! That’s why I give it a perfect score!


My review Animal House (1978) appeared first on Riley on Film.

Between Us (2016)

Streaming now on Netflix! This is an independent film that tries to show the reality of fights in a couple that probably shouldn’t be together but stay that way out of comfort. It shows we can get comfortable in familiar torture.

Director, Rafael Palacio Illingworth, has directed 3 films as near as I can tell. Another film of his, “Macho,” is described as having a lot of sex scenes in between titles. He seems comfortable shooting sex scenes, there are many in this film as well. Mayeb it was just me but it seems these were forced and served to show how the lovers were incompatible.

The actors include Alison Sudol, Analeigh Tipton, Olivia Thirlby They all do a pretty good job but in my opinion the script isn’t realistic and that takes away from their impact.

A man and a woman feel pressured to get married so they begin to question why they are together.

This film is not very well made. Still, it does fit into the “chick flick” category. There is a coupe and they fight, a lot. They explore things and it’s a great film to discuss at Starbucks later. Expect little and be impressed as well as entertained. Please leave me a comment! This title is streaming now on Netflix!


My review Between Us (2016) appeared first on Riley on Film.

Airplane! (1980)

Great comedy like this doesn’t just fall out of the sky. Much should be remembered about how the three directors worked for years to build a style of comedy in a theater group they would later mold into the 1980 film Airplane! In addition to being laugh-a-minute hilarious, it also stands as evidence that hard work pays off in Hollywood.

The directors of this film, David and Jerry Zucker as well as Jim Abrahams Zucker, Abrahams and Zucker (abbreviated ZAZ) made something to be quintessentially proud of here. They had worked on the Kentucky Fried Theater group together so they had a lot of experience riffing and coming up with improv stuff before they ever directed any movies. John Landis took their humor they had developed and made it into a film called The Kentucky Fried Movie. It is full of dichotomous humor juxtaposing serious settings and scenes with surreal and slapstick humor. Watching the Landis film yields all sorts of influences seen in Airplane! It is a lot more racy however, specifically in its nudity.

This film stars Robert Hays and Julie Hagerty and features Leslie Nielsen, Robert Stack, Lloyd Bridges, Peter Graves, Kareem Abdul-Jabbar, and Lorna Patterson. There are several other cameos by then well-known actors and celebrities. Robert Hays, the lead actor, was an unknown at the time. He does a good job but his role is more of a cog in a larger machine of comedic actors. Leslie Nielsen is by far the most memorable actor in the film. He had been in loads of episodic television as well as films like The Poseidon Adventure. Though he hadn’t done comedy before, Airplane! showed the world he was a closet comedian.

The film is a fairly simple plot derived from the 1957 film, Zero Hour! Note the exclamation mark in both titles. His serious look helps the deadpan humor work so well. The rest of the cast is side-splitting making the film a must watch for any filmcritic or lover of films.

As a kid growing up in the 80’s, this film was alluring to me. Older kids would talk about it and how their parents let them see it. After all, there is a bare breasted woman in it for about 2 whole seconds (the scandal!). Unfortunately I didn’t see it until after I was 10. I don’t recall my exact age but I know it was in my teens. It was the funniest film I had ever seen. Others have come close since, but I think it still hovers around that ranking with me still.

It’s no wonder Airplane! is one of the worlds funniest films. Its three directors took years to hone their comedic skills and work together. Finally, they put their own money up to pitch the idea to movie studios. After persistence and hard work, the film was made and it remains to this day one of the most exciting and funny films ever made. I recommend it to anyone and everyone.


My review Airplane! (1980) appeared first on Riley on Film.

Slow West

Title: Slow West
Genre: Action, Mystery, Romance
MPAA Rating: R
Year: 2015
Director: John Maclean. Known now for writing and directing this film. A newcomer to watch!
Top Billed Cast: Kodi Smit-McPhee, “Dawn of the Planet of the Apes,” Michael Fassbender, “Prometheus,” and much more, and Ben Mendelsohn, known for the tv show “Bloodline.”
Brief Synopsis: When traveling across territory, it helps to have a partner. Everyone has different gifts and needs so choose as your needs require. In the West, anything can happen and often does.
My Word to the Wise: A succinct, plain but totally enjoyable Western movie with amazing actors and pistols! Just what a western aspires to be.

The rest of this review may contain spoilers.

My only final thought for you on this movie is the freshness of it. It isn’t bland in any way but the elements of the classic Western roll off like a conveyor belt onto a claim jumper’s plate. It is a strong story brought to life with incredible sets and costumes. Finally, the director is taking his first shot at writing and directing and I declare he has scored a bullseye. This film aims to be a thoughtful Western and on those criteria, I say it succeeds. It lost no star with me.

My review Slow West appeared first on Riley on Film.

Bringing Out the Dead (1999)

This film works quite well as a regret piece. As a teacher, I have plenty of these. The kids I hear about who slipped through the cracks, got into crack or other drugs and somehow never made it in life. Nick Cage’s character wonders what more he could have done. The truth is, in any human endeavor or job you lose some.

Director Martin Scorcese has done more for film than most living directors of our time. Who can forget his Taxi Driver or more recently, Hugo. His work spans the human spectrum and always brings us men who have a vision of themselves they try to live up to, with mixed results.
Nicholas Cage and Ving Rhames are in this film. They make a great duo in the parts they do together. Rhames is the tough free-spirit who tries to get Cage’s character to cope and adapt. They never go away, the ones you lose.

This film is like a dream. It consists of a simple premise: a medic is haunted by the patients he couldn’t save. You might argue it was the first protagonist who could say, “I see dead people.” In the end, we are left with more questions than answers. I like that sort of film, it makes you work. Finally the conclusions are yours and the film helped you get there on your own.

This is not a feel good film but it weaves a web of somber moods that present a point of view. The mystery of death is approached but never addressed. It’s more about those left behind and how we can get stuck in depression and regret when people die, robbing us of our own happiness.

This film is one that makes you think. Due to the nature of its premise there are sections that drag on a little. There are also things that are not explained which can be frustrating. I recommend it for its content but also simply because it is a Scorcese piece.


My review Bringing Out the Dead (1999) appeared first on Riley on Film.

The Devil’s Backbone (2001)

Fans of horror films know that some are genuine works of art like the Monalisa or Starry Night. They look past the things that shock others etc. to unearth a spectre of understanding of human greatness on the screen. This film is one of those for many horror fans. I truly hope more people, including non-horror fans, get a chance to see this lovely foreign film.


The Devil’s Backbone (2001)

Marisa Paredes, Eduardo Noriega, Federico Luppi

Directed by

Guillermo del Toro

Written by

Guillermo del Toro, Antonio Trashorras, David Muñoz

Other Info

Drama, Fantasy, Horror
Rated R
1h 46min

What are ghosts? Why do we get scared as children when we hear ghost stories? These are primal questions we may never have a scientific answer to. In this film, ghosts are beings that are stuck. They keep doing the same thing and it is thought of as haunting. Carlos is a boy in an orphanage in the Spanish civil war. His father has died in battle but no one tells him. Instead, he is abandoned at a small orphanage. In front of the orphanage is a mammoth sized defused bomb. This is that backdrop and setting for this drama that contains elements of horror.

The ghost is referred to as Santi, or “the one who sighs.” He looks a little like a zombie but he can talk and probably use reason. He was once a boy just like Carlos. Santi seems to be somewhat of a protector of the orphanage. His mute eloquence speaks volumes about how war is hell and how men can be overwhelmingly evil.

This film is a beautiful painting. Guillermo del Toro calls it his “most personal work.” When the boys get into their mischief, I couldn’t help but imagine a young Gullermo there. The horror is scant but it serves it’s purpose in telling this entrancing story. The characters are so well written and played, I felt I was watching a live university theater production. There are tons of quotes shared by the narrator and after watching it I felt wiser. There are subtitles and the film is entirely spoken in Spanish. Still, the cinematography and deft writing kept my eyes glued to the screen. I do speak Spanish but I am not a native speaker. I gladly read the subtitles that capture some subtleties of the language. This is beautiful film to watch and to listen to despite the subtitles. There is so much else here. Any horror film lover must see it and even if you aren’t one, this is an incredible drama with ghosts, fantasy, and revenge.

The antagonist is a class A asshole. I’ll spare you the spoilers but you will enjoy a few things surrounding his story. Towards the end you start to wonder who is a ghost and who is not. All in all, this beautiful piece of cinema serves to display the hell of war. It also raises the question of what ghosts are. Can they exist outside of religion? When we fear them, perhaps we lose sight of their help. Guillermo has said in so many words that we should not fear the dead as ghosts but the living. When we examine war and what it does to people, even children, we should remember that suggestion of his.

My review The Devil’s Backbone (2001) appeared first on Riley on Film.

Snow White and the Huntsman

The trailers were abuzz the last several months with the event that now is Snow White and the Huntsman. Some of the hoopla was well founded but more than some failed to deliver on such a powerful story as that of Snow White. The film was directed by Rupert Sanders. He has nothing prior on file with IMDB, in other words he’s a “noob” with this one. An interesting factoid is that IMDB lists his future project as a sequel to this movie. I suppose they’ll need a new witch to fuel the dollars further? But I digress. It was written by Evan Daugherty, also a relative noob to the business, and John Lee Hancock who is known for direction the amazing film the Blind Side. There are two other credits for writing listed on IMDB but the link is misdirected. Anyone who has collaborated on any creative knows that the more people involved, the more delicate and difficult the challenges become. I have a feeling some of the holes in this screenplay are owing to the abundance of creative writers.

There are plenty of movie stars in Snow White and the Huntsman. Kristen Stewart, known for Twilight, plays Snow White. She is an interesting choice with pros and cons resulting throughout. Chris Hemsworth, known for Thor, plays the Huntsman: an oddly familiar figure as if from Gladiator and Spartacus the HBO series. Charlize Theron, known for so many things like Hancock, Devil’s Advocate, and Monster, plays Ravenna. There is a long list of other A-name actors in this film as well. One example is Bob Hoskins who plays one of the key dwarves. Sometimes this many stars can equal a great movie but other times, and I would argue in this case, they are lured by the promise of a name like Snow White in the title. A big budget with big actors does not an amazing movie make. It takes a lot more than that and it’s too bad these writers and the director didn’t know that. The movie is fun, okay I will say that but it is not believable and worse than that, confusing in many places. Snow White and the Huntsman should have flowed better in my opinion.

Did you know the horses scenes were difficult for Kristen Stewart because she suffered an injury as a child while riding one? You wouldn’t know it from the film footage. She rides deftly as she does everything else. From the dwarves to the trolls, everyone in the forest is buying it. For me? I wanted more of a reason to believe she was going to save the kingdom. What’s more, I wanted to believe the all-to-famous kiss was heartfelt. But I’ll stop on that subject there. Here a short version of the film: Ravenna is running out of life after lifetimes of sucking it from youthful people. Her mirror, which is a gold shape shifting thing instead of a mirror like in Shrek, tells her she must kill Snow White or face a final demise. She dispatches the huntsman to bring her back to the castle but he instead decides to join with Snow White to win back the kingdom. Many things happen in the forest. There are new creatures the likes of which we have never seen, not even in Lord of the Rings, although there is much borrowing of tone and theme throughout. I suppose any movie that makes as much money as LOTR did will be copied right? Eventually, the entire forest and oppressed people of the kingdom fight for Snow White and the end is played out (which I never like to share in these reviews). It is a contrived movie from start to finish but the effects are good and when Kristen Stewart isn’t struggling with her accent, it’s a fairly decent adventure/fantasy film.

In the final analysis, this is a swashbuckling film that sways quite aways away from the original Grimm fairy tale. Audiences will like the special effects and the actors though, in spite of the writing that may a little too far afield of the original story for some viewers. Oh, and one last thing: the PG-13 rating is well earned. There is a lot of blood and senseless violence here. I’d say kids below 10 would have a hard time with this.

My review Snow White and the Huntsman appeared first on Riley on Film.

The Damien Riley Podcast – How to Lose a Guy in 10 Days (2003)

My preview of another ROM COM now streaming on Netflix. Stars Kate Hudson and Matthew McConaughey. Everyone I know that have I talked to who’s seen it loved it. I am no exception 😉 Please leave a comment and follow me for more reviews. Listen to me in this episode try and convince you to watch it. Was I successful?

My review The Damien Riley Podcast – How to Lose a Guy in 10 Days (2003) appeared first on Riley on Film.

A River Runs Through it (1992)

Robert Redford’s film is a winning drama you can count me in for every time it plays. The story of a rural family in gorgeous Montana and two brothers is one I identify with. I think anyone who’s ever had thirsty aspiration and tasted bitter lament can enjoy the essence of.

As a man who grew up in America and who has become a writer of things, specifically through the discipline of letters, this film captivated me in my 20’s and I have called it one of my favorite films ever made ever since. I still get goosebumps at certain places in the film. It is certain deserving of being on my list of Riley’s Great 100.

Robert Redford is a household name as an actor. He’s been in films that moved millions such as The Way we Were and Brubaker. These are just two in a lifetime career that any film fan from the 70’s to now will know the emotive quality of. Who can forget his outdoor survival skills in Jeremiah Johnson. He will live in many people’s’ minds as the reclusive millionaire in the Great Gatsby. His face and voice have always been calming and reassuring as an American making American films. That’s why A River Runs Through it is a slice of true Americana in his catalog. It’s a film he directs and narrates only though Redford emanates out of every aspect from the forest cinematography to the fly fishing of actors Tom Skerritt, Craig Sheffer, and Brad Pitt. Redford is the perfect director the paint this portrait in a movie.

The film is based on the autobiographical writings of Norman Maclean. Maclean was a writer and poet who also taught at University in Montana. It is simply his sublime personal account of life in Montana as the son of a Presbyterian minister. Whether it’s stealing beers and boats of finding out you can never change some people, the account is chock full of life aphorisms and good advice. You can smell the lumber and the oil lamps. The 1940’s Fords have that clackety clack sound that takes you back to the future to a time that has been all but forgotten were it not for Maclean’s account.

Sheffer plays a young Maclean. He is the older of two brothers and Brad Pitt plays the younger. One brother is responsible and seems to make all the right choices while the other is reckless. Both are better than some in the town however. Watching the boys grow up and make their way in the world is interwoven with poetry and narration straight from the book.

The cinematography and acting in this powerful nature based film make it a glorious work of art. The sets and props are all made to look like the 1940’s. It’s as if you are transported there while watching. We hear the flaws of religion and other institutions. Then we see the beauty of 2 wiry and wily brothers growing up. They make many mistakes and the film impersonally and simply lets the consequences play out. It;s a film about finding ones way and reaching out to help others find theirs, even when they don’t accept your help. For many years I have called this my favorite film of all time.


My review A River Runs Through it (1992) appeared first on Riley on Film.

Alien: Covenant (2017)

This is a fun night out at the movies. It’s to be seen once for all fans of the genre. Once. Considering I’ve seen the original Alien from the 70’s probably well over 20 times, I must make the distinction between the two. The original you see 20 + times, this one once.

Ridley Scott invented the Alien film franchise. He only directed Alien 1 and Prometheus, which is meant to be a prequel to the original Alien. For that reason I was very excited to see what he brought to bear in Covenant. Unfortunately, there isn’t much for true enthusiasts.

What you do get is an action film with some really fake looking creatures you will not think about any longer than the trip walking to your car from the theater.

I don’t think Ridley Scott should have made an action film playing horror meets Spy Kids. That’s what this feels like. The lead role is played by a guy who blew stuff up in Tropic Thunder. Hasn’t Ridley seen that film? There is such a thing as typecasting. I had a hard time believing in the space age story with him at the help. He even plays with a naked girl fidget while deciding things on the ship. It’s lame man, really bad.

The monsters are so poorly done I think film students in University today could have dome better as class projects.

Finally: Hear this makers of Alien: We don’t care about David or the other one. Your storyline there sucks royally. Did you think this was blade Runner? About andriods becoming self-aware? It’s about aliens shitheads.

Let’s try a little harder to be spooky and cgi artists next time guys and gals as I am sure there will be a next time. I recommend it once but if you miss it, you won’t miss anything much really. If anyone out there has comments PLEASE leave me some! I’m starving to death with no comments. Dissenting opinions welcome.


My review Alien: Covenant (2017) appeared first on Riley on Film.

Inherent Vice

Title: Inherent Vice
Genre: Comedy, Crime, Drama
MPAA Rating: R
Year: 2014
Director: Paul Thomas Anderson, “Boogie Nights,” “The Master” …
Top Billed Cast: Joaquin Phoenix, Josh Brolin, Owen Wilson, Katherine Waterston, Reese Witherspoon, Benicio del Toro …
Brief Synopsis: Los Angeles in the 1970’s was a place where many lived double lives. This film follows a hippie PI through some of that as he uncovers more secrets than he bargained for.
My Word to the Wise: The cast and acting is amazing. I’m not too crazy about the story. To follow it you need x-ray focused attention and even then it’s hard to follow. I didn’t feel the payoff was worth the wait. That subtracted two stars for me.

The rest of this review may contain spoilers.

Best scene by far is when Brolin is transporting Phoenix to the station while making oral love to a frozen banana. There are some great dramatic scenes by Brolin as well. Phoenix does a good job. I liked him better in this with disheveled hair and huge sideburns than his clean-shaving character in “The Master,” also directed by Paul Thomas Anderson. You might say he has a face for a beard. I have a feeling the story as laid out in the book is much better than the convoluted presentation in the movie.

My review Inherent Vice appeared first on Riley on Film.

Movie Review: ‘Crawl or Die’ – Horror in the Pipeline with a Girl

Horror, Sci-Fi, and Thriller never looked so good in a film. It’s been called “The Most Claustrophobic Film.” I would agree with that. For horror fans, those scares are met by the incredible performance of Nicole Alonso. The Director Oklahoma Ward has created a film that sends fear down your spine and makes it impossible to turn away. Several elements work well to make this a perfect indie horror film.


Crawl or Die (2014)

Nicole Alonso, Torey Byrne, Tommy Ball

Directed by

Oklahoma Ward

Written by

Oklahoma Ward

Other Info

Horror, Sci-Fi, Thriller
1hr 30min

Just like rock and roll bands try to play what rocks, so horror directors try to know what scares. As long as I can remember people have said claustrophobia is one of the most universal fears. People don’t like being in an enclosed space. Crawl or Die plays on that fear and believe me, it scares!

Furthermore, the fear of unknown creatures is another fear of many and Director Oklahoma Ward weaves a really scary creature into his film. These scary aspects combined with the extreme physicality of Nicole Alonso as “Tank” make Crawl or Die a horror, sci-fi, thrill ride of a film.

A high level security force is chosen to transport the “package,” the last woman on earth that can become pregnant. The earth as we know it is gone and the continuance of humankind rests in the safe passage of this woman.

While transferring this package, the team has to find its way through a labyrinth of pipes and tunnels. As if that wasn’t bad enough, there is a hungry creature that lives in the passages, coming to feed on them.

*The rest of the review may contain minor spoilers

The star of the movie is Tank (Nicole Alonso). She plays an angry, sexy, soldier role in the manner of Avatar‘s Trudy Chacón (Michelle Rodriguez), Colombiana‘s Cataleya (Zoe Saldana), Alien‘s Ripley (Sigourney Weaver), and the like. Alonso’s physical acting is extreme. You see her pulling her own weight to and fro inside the pipes with artistry and grace. She is fun to watch and definitely easy on the eyes. At the same time, there is a determination in her eyes that builds suspense and keeps you guessing about the horror that is right behind them all.


The creature definitely adds to the terror. In the scenes where you expect the creature to appear, Oklahoma Ward (Director) has deftly added subsonic beats that are choreographed to stop. In some of the early scenes, it seems an eternity before the creature crumbles its spider-like leg through the dirt. This works perfectly to release the scares that are not always that scary. It’s more the waiting on bated breath that creates the horror. Having said that, there are plenty of scares that send chills down your spine. It’s refreshing and remarkable what Ward and Alonso did in this film with such a simple set and formula. This is definitely a movie-makers movie as well as a critic’s film. There is much to talk about. I know I’ll be looking for an interview with the makers soon.

To expand on the “simple conventions” idea: I noticed the team used flashlights in an interesting way. They hung them on their boots as well as held them in their left hand while holding a gun in their right. I suppose when you are in a tunnel that’s getting smaller, you hold your light just about any way you can. The gun is a good thing too although it appeared that even an AK-47 assault type rifle cannot take out this monster. I’ve read online that this is to be the first film in a “Crawl or Die” trilogy. I will be eager to see how Ward uses more simplified effects to produce scares and suspense. As an independent film trying to use minimal budget and conventions to scare, I give this film a perfect score. I am a fan now and am looking forward to next one!

You can follow what’s happening with the Crawl or Die trilogy here.

My review Movie Review: ‘Crawl or Die’ – Horror in the Pipeline with a Girl appeared first on Riley on Film.


The Trolls in this film are not ugly like the dashboard ones of the 80’s. Instead they are endearing, cute, and presented in vibrant colors. The powerful colors reminded me of those in Cloudy With a Chance of Meatballs 2. Vibrant colors help to deliver a message of happiness and finding it in yourself and through love. This film can be enjoyed by anyone but those around the toddler age will certainly be playing over and over, singing and dancing to the music.



Anna Kendrick, Justin Timberlake, Zooey Deschanel, Christopher Mintz-Plasse

Directed by

Walt Dohrn, Mike Mitchell

Written by

Jonathan Aibel, Glenn Berger

Other Info

Animation, Adventure, Comedy, Family, Fantasy, Musical
Fri 04 Nov 2016 UTC
IMDB Rating: 6.5

If you get into upbeat music, you’ll like the movie. If you like cute animation with a decent story, you’ll love this film.

The main idea of this film is that we all have happiness inside us. The ugly creatures have to eat Trolls in order to be happy and obviously, this doesn’t go well with them. Through a random course of events, the Trolls have to show the ugly creatures they can be happy on their own and in fact, the happiness was inside them all along.

The music is powerful and makes this movie a better animation film than others. You have the music and voices of Justin Timberlake, Zoe Deschanel, Anna Kendrick, and more. Supporting the music is amazing animation in a colorful style we haven’t seen … ever before I think it’s safe to say. It’s a feast for the eyes and ears. The story is also very cute which makes it all the more suited for the younger ones.

I’d recommend this film for everyone who likes the elements I have mentioned but especially kids ages 4-9. If you’re like me you may find you are a kid at heart because I really loved this film. Because it won’t be for everyone, it lost just 1/2 a star.

My review Trolls appeared first on Riley on Film.